To finish off Season 1 of Seldon Crisis and the completion of the first book in the original trilogy, Foundation, this special episode consists of an interview with Professor of Philosophy Nathaniel Goldberg. He will discuss his long running course, Philo
Jeremy MacKinnon, Video Editing and Podcast Support (Linkedin | Twitter)
Tom Barnes, Theme Orchestration
Mike Topping, Graphics (Despotica)
Trojan War the Podcast
Odyssey the Podcast
Literature and History Podcast
Planet and Sky, the Deeper Story (my first audio-drama podcast)
Tobias Cabrol - New Eyes review (Goodreads)
Foundation Era - Asimov Future Timeline (Youtube)
William Woolard - Asimov Chronology Project
Isaac Asimov - Nightfall (Wikipedia)
Isaac Asimov - The Last Question (Youtube)
Eric Cline - 1177 B.C., Revised Edition (Amazon)
David Deutsch - After billions of years of monotony, the universe is waking up (Youtube)
Mike Flynn - In the Country of the Blind review (Goodreads)
[music intro with voiceover by Nathaniel Goldberg:
“Philosophy and Science-fiction have this particular thing in common and that is that they’re both really good at thought experiments”
“The Galactic Empire is falling… so here’s a thought experiment... civilization is falling, what do we do?”
Welcome to a very special episode of Seldon Crisis – The Podcast! We won’t be diving in to the first chapter of Foundation and Empire, The General quite yet, so I am sorry to disappoint you on that front. Instead, we have something of an entirely different order – an actual guest appearance by someone very familiar with Foundation and Asimov who has studied the core trilogy in depth and has some special insights to offer (without breaking our no spoiler rule). Before introducing our guest, however, I want to briefly thank some of the people who have made this podcast a success beyond my wildest dreams in only a few months.
First, I want to thank someone in my own family who’s contributed more than anyone else, my own son Jeremy MacKinnon. When I started re-reading the Foundation series last summer I felt I had to share it with someone and was thrilled to find an accomplice in the joy of reading it in someone under my own roof. He started reading it before I’d even finished and read all seven volumes to my complete delight. He became a big fan of the idea of creating a podcast and lent his talents as a video editor in producing the video trailer for season 1 and designed and produced each of the mini-preview videos I’ve been posting on the Seldon Crisis video channel. He’s also been a great sounding board for podcast ideas and offers much needed constructive criticism of each episode. I hope to be able to leverage his creative talents throughout the series.
Another wonderful collaborator has been a friend I’ve known since high school and a long time musical companion named Tom Barnes. I came up with a simple melody idea for the theme music and shared it with him last fall and he enthusiastically transformed it into the evocative and magical theme music that begins and ends each show along with variations to use to link the sections together. It wouldn’t have the same feel without his excellent work and I look forward to more from him in future seasons if I can maintain his interest in contributing his efforts. I am extremely grateful for all he’s done.
A creative effort like this needs visual representation, and I knew I needed something special to honor the power of Isaac Asimov’s vision. Who better to create such a look than someone who had demonstrated success in the past? I reached out to the artist who had created book covers for all but one of the seven Foundation novels and all four novels in the Robots series, a guy named Mike Topping and asked him if he could create an original logo for the series. I asked him if he could incorporate a raven into the graphic to represent Hari Seldon and somehow imply the magic and mystery of the galactic empire and the Foundation all in one graphic and boy did he deliver! I’ve been thrilled to post his graphics dozens of times and never get tired of seeing it. Mike can be found online at despotica.com if you would like to engage his services.
Lastly, I want to thank all of the listeners and dear supporters who have made it possible to continue this series. I love doing it and get a lot of joy from it, but especially love hearing from all of you out there who appreciate the effort. There’s one guy in particular I want to call out by name. I had the pleasure of virtually meeting this writer of vibrant and super futuristic science fiction named Tobias Cabral in the past year and read a couple of his works, including a gripping tale called New Eyes filled with nail-biting action sequences and featuring romance crossing the boundaries of cybernetic and biological lifeforms. You can find my review on Goodreads and I’ll add a link in the show notes. Tobias is a wonderful guy and - though I’ve never met him in person - he’s one I can call a true friend. He lent his enthusiastic backing of my intentions to make this podcast and I am very grateful for his support.
Without further ado, let me introduce another friend and supporter of the show who I had the privilege of meeting online even before the first episode dropped. Let’s meet our distinguished guest for this episode.
Joel McKinnon: My guest today is Nathaniel Goldberg. Nathaniel is a professor of philosophy at a university in Virginia. Besides more traditional classes, he teaches a special-topics course on philosophy and science fiction, in which he has his students read Asimov’s Foundation Trilogy against the Ancient Greek philosopher Plato’s most famous work, The Republic. Welcome, Nathaniel!
Nathaniel Goldberg: Thank you, Joel. It's a pleasure to meet you and to be here on your podcast?
JM: Why don't you tell me a bit about yourself, including your introduction to Asimov?
NG: Sure, it would also be my pleasure. So I first discovered Asimov when I was a teenager, I was visiting my grandmother in New York. I've got that little bit in common with the good doctor, we’re both New Yorkers, deep down.
And she had in her bedroom, a book anthology collection. Golden age science fiction, short stories. I later learned it was my aunt's. She had done a science fiction class in college, and lo and behold, as I started reading through it, I came upon this short story called Nightfall by this author named Isaac Asimov.
And it was years later. Years later when I was in high school my high school 10th grade English teacher happened to have sets of the Foundation trilogy. And I talked to him and he lent them to me. And the rest is galactic history.
JM: So yeah, I'll tell you how I found it. I guess, you know, since you've listened to the podcast. As a teenager, I just discovered science fiction ‘cause my dad was into it and my dad had lots of science fiction on our bookshelves at home. So I read as much of that as I could. And I'm not sure what the first Asimov I read was - it wasn't Foundation. But when I found Foundation that changed my life.
NG: Well, I remember when I was reading Nightfall, learning that as Asimov had written it, I think when he was 19 or so, he published it when he was 21.
And at the time I was 13 or 14 and I thought, no worries. I've got years to be that successful because the golf from 13 to 19 is like eternal when you're a 13 year old. And then as I creep closer and closer in time, time started running short. I'm now in a spot where I teach college students who are roughly Asomov’s age when he wrote that story and I liked to needle them a little bit – like what have you done with your life? Have you written a world changing science fiction short story that's the segue to a world changing trilogy or haven't you? And you know, they look at me and think that I'm goofy, but they usually think that anyway. So some more Asimov in my background.
JM: I'm really curious about your class and would love to hear you talk more about it. Because I would have loved to have taken that class when I was in college. So I'm really curious what the students, how they respond to it, to the syllabus.
NG: Sure. So, uh, I guess to fill in a little bit beyond my, the Asimov part of my life, I wound up getting a PhD in philosophy, and then I ended up teaching at three different universities. I started in Maryland and then I was in Ohio and now I'm in Virginia, and where I currently am I was encouraged to do a special topics course. We all are asked occasionally to do something like this. So as you said in your kind intro, I'm doing one called Philosophy and Science Fiction. And the idea was each time I taught it, to pair a different work of philosophy with a different work of science fiction.
But Joel, I've got to tell you, the first pairing of Asimov and Plato just stuck because it just works so well.
JM: Hard to beat that one.
NG: Yeah, for both reasons. And I don't want to say too much about it because the course relies on having read the whole trilogy and your listeners, including myself since I'm a listener too, have so far only got through the first book in the trilogy with you. But that was the connection and the motivation.
JM: How did they react to this? We have to read this Asimov guy. I mean, I would think, like really? I get to read Asimov? Not sure how how students react to that now.
NG: Asimov is somewhat dated. The trilogy, as you mentioned, was composed of short stories that were written, I guess, in the forties, at least initially. Is that right? Joel? Am I getting that chronology right?
JM: Yeah, he wrote them in the mid to late forties, I believe.
NG: And even though the trilogy was so influential and it's hard once you read it and not to recognize its influences, it does come across somewhat stilted sometimes to students, or at least they wouldn't have heard of him, but like you I'm really excited about the Apple TV dramatization or interpretation of the trilogy to get more people interested in it.
JM: Yeah. But we also have our misgivings about what we might find, how they might treat the subject matter.
NG: Well, we, we absolutely do. In fact, if I can share an anecdote between the two of us on, I forget what social media platform, but on one of them I've for years used the alias Gaal Dornick. I don't even remember where, but I commented on your podcast after you and I had already met, but I used the pseudonym Gaal Dornick and you replied something like, uh, well thank you for commenting Gaal, you're one to know or something like that. So yeah, I've used that for years and I was excited to learn that I'm a woman in the new trailer and in the Apple TV, because we all should learn to walk in other people's shoes. But at the same time I was reminded, and you asked how did my students react to the trilogy?
They do wind up really liking it. They really do by the end. One of their criticisms though, is that there are so few women in it, and I'm glad that a relatively minor character like Dornick, it doesn't really matter what gender, but that's one of the criticisms of Asimov that my students have. So, I feel like I've talked a bit now about philosophy and Asimov, and of some of the pros and cons and reactions of my students, at least on that subject.
I really appreciated when you had talked a couple episodes ago about Asimov's handling of women and his sort of background and how that influenced or didn't influence his portrayal of them. So I'm curious, and maybe your listeners are too, if you could say a little bit more.
JM: I'm glad you brought this up because I wrote that part a few months ago, that I read off on a podcast a couple of episodes ago about his treatment of women and his lack of women in Foundation up to that point and complete lack. And I wondered about it and I hadn't really done my homework enough to know why he was the way he was in that area. But since then, I've really plunged into his autobiography called I, Asimov, which is a pretty thick tome and covers a lot of the feelings about how he felt about himself and how he related to different people. He was definitely aware that he had shortcomings in the area of dealing with women, and a lot of it was that when he was young, his parents had a candy store and he had to work there from dawn to dusk. He never got to meet women much. He never got to date. He went to boys schools, and his first date with a woman was a double blind date and he ended up falling in love with the woman he was set up with, and that was Gertrude. He said she looked like Olivia de’ Haviliand, she was so gorgeous – and he fell in love with her. She never really reciprocated the love he was feeling for her, he thought, so he always kind of had a chip on his shoulder about it, I guess.
NG: And he did, he did marry her. Isn’t that right?
JM: Yes, he married her and he lived with her for 24 years, which was quite a while for what felt in the autobio like a mismatch. They were very different. And she actually resented one of his major character traits, which was that he just loved to write and write and write all the time.
He didn't like to travel. He didn't like to socialize. He just liked to write and write and write and she felt neglected, you know? And you can tell from the bio that he felt that he neglected her. And also his family. He once asked his daughter (Robyn), who he just obviously adored, he said, have I been a good father? And she said, you've been a busy father. And that really stuck with him. He realized something from that.
NG: That reminds me of a description I read once of Frank Herbert. So his son, Brian, was asked about his father and maybe you know this, that Brian and Kevin J. Anderson had written prequels and sequels to the Dune saga. So he, Brian, was once asked about his father and he described him in somewhat similar terms. He said that he remembers his father not spending time with him as much as he would like, and he remembers his father working on Dune, at least Brian didn't know at the time. Then when he finished the first draft, he just locked himself in his room for a couple of days and slept. And that makes me wonder if there's something about passionate people and passionate writing.
JM: Well, you were just referring to your feelings of when are you going to be able to catch up with Asimov when you were young? And I probably had that same feeling and sometimes I've thought, wow, I'm such a slacker compared to people like Asimov. When I think about it in these terms, you know, at least my wife and son don't feel completely neglected by me, constantly writing and doing something other than being with them.
I do travel and spend time with them. So, you know, being a real human being, it has its place.
NG: I endorse that. My wife's glad I'm a real human being too.
JM: I can't say I'm a perfectly real human being. Sometimes I'm too much like Asimov in my own self obsession. Like having a podcast and spending a lot of time working on it.
NG: Well, speaking of obsessions in a way, this lets me answer or continue to answer an earlier question you asked me, actually the first one about me and my introduction to Asimov, and I can say a word about philosophy and Asimov too. So one of my obsessions, surprise surprise, is thinking or overthinking or over-analyzing sometimes to my detriment, and I discovered relatively early in life, probably the time when I started reading Asimov, that it was a more productive use of my time to explore – I can't resist to explore – strange new worlds and thoughts rather than obsessive about actually things in real life. So there's that bumper sticker something like reality is for those people who can't handle science fiction.
JM: Yeah, I always liked that one.
NG: Yeah, and I found philosophy too, because they're both intellectual exercises. And one ding that philosophers always get is that it's only intellectual and to some extent that's fair. To some extent, it's not – that is – there are applications. There are ethics boards at hospitals, and there are philosophers who basically invented logic.
And once upon a time everybody, Isaac Newton, called himself a philosopher. So there are connections that are practical at the same time, philosophy and science fiction have this particular thing in common. And that is, they're both really good at thought experiments. So a thought experiment is like a lab experiment where you have a control, you have an environment where you're trying to tweak just one thing and keep everything else the same.
Then you see what happens if you tweak that one thing, you know, increase the pressure, add radiation, you know, deprive the bacteria of sunlight, whatever it is, you don't do everything. You do one thing. And I found that science fiction, at least good science fiction usually does things like that as well.
So Asimov had a thought experiment, well he's got lots in the foundation trilogy, but the big one, I suppose, is the Galactic Empire is falling. So here's a thought experiment. Civilization is ending. What do we do? And then of course he proposes and he proposes more than just a simple straightforward thing to do.
There's the founding of the First Foundation. There's the mysterious Second Foundation we'll find out about. There's the working through of this thing called psychohistory, but in a way, these are all sort of thought experiments that work together for making a really engaging story. So it's that kind of thing that I had my students think about as well. So I think it's a pretty good fit.
JM: Do you learn much from your students and their reports? Do they sometimes give you insights that you hadn't expected?
NG: I do. I do. Well first, it's always good as a, I guess as they say, I've got a face for radio or for podcast.
JM: I know the feeling.
NG: Yeah, well maybe your listeners can figure out I'm a guy like you are and it's always great to have women react because I learn different perspectives. Which is why I always knew that Asimov had very few female characters – he has some, but I always knew he didn't have many. But it wasn't until I started teaching this that I realized how that makes it harder for female students to get into the story, because they don't really have characters that they can identify with.
So I learned that, particular things in the story, there's some things that come up later in the books, so I won't mention them now, but there are just certain passages I had never read a certain way and that they did. And you know I think they're right.
JM: I know that there are female fans of Foundation, I've heard from them already and it's really nice to hear of that. For any out there who have listened to the first five episodes and don't know what's coming, there are definitely more engaging female characters to come, and I'm horrified that I have to voice them to stay with my pattern – unless anybody out there wants to sign up and be my female character voice, that would be wonderful.
NG: But on a, on a more uplifting note, something else I've learned about them or that they've reminded me is, as you were saying, just how prolific Asimov was. Students, at least the better ones, are inquisitive. So they would google around, and “google around,” basically, is our word for consult the Encyclopedic Galactica. And they would look up the Asimov entry and then they'd be all spoiled and pretend not to be. But before that happened, they would see that the guy wrote on what is it, every topic under the Dewey decimal system. Philosophy and history and literature and the Bible. So yeah, I wanted to ask you Joel, since you're recently reading his autobiography, what's your take on that?
JM: I definitely have a take on that because in a lot of ways, that's how I felt I bonded with him because I felt we have so much in common, and the main thing is the boundless curiosity and everything. Yeah, every direction, what they now call ADHD, I believe, and he may very well have been diagnosed with that if that was a thing back then, and they probably would have stuck him on Ritalin or something, and it might've changed completely who he was. He might've been a successful lab scientist, suffering with not doing what he wanted to really do. And I'm really glad that he did what he did. What I think about this is that he needed a release for those mental wanderings and writing was just what he needed.
He was never a drinker. He didn't do drugs when he needed therapy, when he was depressed or anxious, he wrote. He said this often happened in, that there were plenty of times when he would run into something just horrific in his life and some terrible pressure. And all he would do is sit down and write and he said that was great therapy. So I think that's really nice. That's a nice example of how to treat things instead of taking drugs and drinking. Podcasting makes me feel better – doing anything creative makes me feel better. It had a downside, obviously, this pattern, and we talked about it a little bit about how I think it really ruined his first marriage to Gertrude. He talked about her asking why don't you just spend some time traveling? When you're on your deathbed you're going to be horrified with all the things you didn't do. And he just kind of trolled her and responded by saying that when I'm on my deathbed all I'm going to be thinking is, why didn't I write more? And that’s Asimov.
NG: Yeah. I know there's also a connection that Asimov had with a different area that I know almost nothing about, so I can go on and on to some extent about his interest in history. So Joel, maybe you or your listeners know that he, at one point had contemplated getting a second PhD, one in History. His PhD was in chemistry, but he had contemplated it. Y
JM: I know he had regretted not getting a PhD in history. A couple of times he thought that was, that would have been better for him.
NG: In fact, that's something else that my students, I hope you'll forgive me if I'm weaving around a bit in answering, but something else that I've learned from my students, I've had classics majors and history majors who filled me in on the actual parallels that as an office drawing on. So, we know, or at least some of us know that Asimov loved Edward Gibbon's decline and fall of the Roman empire, all upteen volumes of it.
JM: Read it twice.
NG: Yeah. Read it twice. And I've actually looked at it. I haven't read it other than I read, like the first paragraph and, you know, spoilers the last paragraph… it's not a spoiler if it's in the title, right. Um, Rome falls. There, I gave it away. Hope you don't get too much hate mail for this. But what I did appreciate was it's really well-written and it's got these big overarching themes. And Asimov was approaching his writing, trying to model some of his writing on the decline and fall. And there were some… well, I don't want to say too much, but your very next episode on Belriose, the general apparently was modeled on a historic Roman general, and Cleo II, the Emperor, was modeled after a historic Roman emperor. So these kinds of things I just didn't know. I do want to say one other thing on that history context that was really interesting to me. I know you're a history buff and in my misbegotten youth, I was a history major before I saw the light. But somehow I had missed this entire historical epic called the Greek dark ages or the Bronze Age collapse. It's just a story.
NG: It's amazing. So maybe I'll stop babbling if you want to describe…
JM: I do want to call out a great book on the Bronze Age collapse, by Eric Cline, it's called, 1177 BC. I hope I got that year right. That book was awesome to me. It really brought to life what an amazing era it was. Just a couple of hundred years before then was the most cosmopolitan era humanity had ever experienced, with trade crossing the Mediterranean in all directions and major empires interacting with Egypt and the Hittites to the north and the Mycenaeans to the west and Crete fell a little bit earlier.
The Minoans... some amazing stories that we'll never know out of that period, because the collapse was so total and so much happened so quickly. So much of it was just so devastating. Entire cities just burned to the ground. And an ironic thing is that how we know some of what we know is from those cities burning to the ground because when clay tablets get exposed to extreme heat, it makes them harder and they become more durable and we would have forgotten a lot of that stuff if it hadn't been for them burning down. So some of the most disastrous sites are where we get our knowledge. You know, the ones who succeeded didn't give us the knowledge.
NG: So that's the silver lining, but the cloud is that it was a complete collapse of Mediterranean civilization that set, set them back centuries.
JM: And I'm sure as they were approaching that collapse, they thought it was unthinkable.
NG: Exactly what I was going to say. I don't know the specifics, but I had a classics major student who's getting a PhD, I think, at Oxford in classics. So he knew the material better than I did, but he would say things like there were whole sorts of industries or techniques that were just lost. People forgot how to do X, Y, or Z, whatever that is. They forgot how to make this kind of pottery or they forgot this. There were whole things that were lost and something I try to impress upon my students is, yeah, it might seem like Asimov, you know, the decline and fall of the Galactic Empire is far-fetched – it's science fiction after all, you know, emphasis on the fiction and yeah, there was this decline and fall of the Roman empire, but there were Roman states and then there was the rise of early modern Europe. And depending upon how you want to read the middle ages, they maybe weren't so-called dark because there was still progress and advancement.
In fact, the dark ages is a term obviously retroactively applied to it. So my students sometimes think, yeah, the Asimov story thing, that can't happen. And then, then we do talk. Well, actually the Roman fall was serious and even potentially more serious was the Bronze Age collapse and Asimov is focused not just on, on those historical examples, but on the possibility that this could always happen, that there could always be a fall. And what do we do? So, one reason that I have them read the short story Nightfall is that it's about that. It's about the fall of civilization and that is the fall of night, the literal and the metaphorical.
And then I have them read that right before we start the Foundation trilogy. So they think as they start reading the trilogy, the Encyclopedia, it's the very first part of book one I think. I see... I see this is how we started the fall of civilization. You know, the Bronze Age collapse and the Roman fall and Nightfall and, you know, in his short story, we just gathered lots of smart people and have them write books.
Because that seemed to be after all, they think that's what's lost. Right? We lose libraries... the Library of Alexandria later, but we lose libraries. We lose information. Science turns into religion Asimov talks about in Nightfall. He doesn't disparage religion, but he says it's a repository where people don't always know what it's a repository of, but still it's a way to hold onto some knowledge.
So, yes. Wonderful! Seldon has these encyclopedists. Right? These however many families, you know, they're the men with their, you know, those women and children. There's another case where Asimov could have had women encyclopedists too. But anyway, they're writing an encyclopedia. So you asked me, you know, whether I have any anecdotes, that's maybe the biggest anecdote, just how gung ho you know, three cheers for Encyclopedia Galactica they are are until they get to the very end of the Encyclopedists and they learn that it was all a lie.
JM: Yeah. That's a great turn and that's only one of the first of many great twists that Asimov delivers, going forward and coming up in future volumes for anyone listening to the podcast who hasn't read it. Foundation and Empire has some amazing twists.
But going back to what you were just saying, Asimov also was a huge history buff. Going back to the Greeks, going back to further, he wrote an entire history of the Bible, old and new Testament two complete volumes, and I read them just not that long ago. Finally got around to it and found them in the library, just brilliant stuff, and it's so much more readable than the Bible. He doesn't do it in a contentious, you know, anti-religious state of mind. He doesn't say, listen to these silly people thinking this or that, you know, he puts it in the cultural context and he's really just trying to get at the real stories that were going on behind all that.
And it's obvious that the residents of that area, the Hebrews were able to write their history so eloquently, was enormously powerful and that's driven so much of what's happened to the current time. He really respected that. And I think there is a lot he respects in religion without being a believer and that comes up again and again in the subtext of the Foundation. But then another thing I wanted to mention related to that is in his love of history, he also came to love theater and he saw history as just an endless succession of very entertaining stories and very entertaining characters and the rise and fall of power was always a huge part of that. And that's what Foundation is built on. You know, it's taking that history of human sociology and the waxing and waning of power and the kinds of temperaments that leaders and megalomaniacs have and putting that 20,000 years in the future. Nothing's really changed.
NG: Yeah. Well, that's one of the beauties of science fiction going back to the thought experiment idea instead of talking about, well, for him, maybe it was World War II Europe, and then cold war Europe, right? It’s the era during his formative life. Instead of talking about the Axis and the Allies or the communists and the so-called free west, he talked about emperors on distant planets in the distant future who controlled countless stars and countless star systems. So it was a way to explore these issues with them, without the nitty-gritty, you know, politicking of what was going on around him.
Now, I'm not saying he was exploring the cold war issues in the original trilogy though maybe some of that comes up in the later books where he seems to return to the themes of freewill and the right way of organizing our government. Just for him, the government’s the size of the galaxy, but it's still the same kind of questions it's still playing in thought, instead of playing in act, right?.
JM: Do you know anything about David Deutsch?
NG: I don't.
JM: Oh, you should look into him. I just discovered him just recently. I saw a YouTube video where he talks about the great monotony in cosmology, which is the time starting after the Big Bang, which was the most significant moment of innovation in cosmic history, and what came right after it with the development of the first stars and the first galaxies. But that once that was finished, for the next 14 billion years nothing much was new. It was just a replication of those things. Very simple patterns that just replicated on this colossal time and distance scale until a few hundred million years ago, when multicellular life appeared on this planet – actually even before that, when the first photosynthesis started and the planet changed dramatically based on life.
And he claims that now humans are the first species to develop explanatory power and explanatory power. He thinks is a mechanism by which humans can change the galaxy and eventually move, move out into the entire galaxy and become a dominating powerful force and modifying what is going on there.
NG: The first species we know of. I'm still hoping.
JM: Yeah, and he qualifies with as we know of through the whole thing. But it's a really fascinating topic.
NG: Right, well it's got shades of Carl Sagan who would talk about how, with the dawn of intelligence, the universe finally came to know itself. As reality created or gave rise to the sort of thing that can know reality, whether we call it explanation or self knowledge. And that also reminds me of the short story that I end my Plato-Asimov class with. For almost the whole class we’re reading the foundation trilogy, we start with Nightfall because that primes students to worry about what happens when things fall. And then we get the response and the trilogy, you know, spoilers because we're not done on your podcast with it, but we get Asimov’s answer. And then I end the class with the story I've shared with you called The Last Question where the last question asked is basically what happens when entropy increases, when the universe, when disorder takes reigns over order and the universe comes to an end and I'm not going to give it away either, but the way I read Asimov…
JM: It's a short story that everybody should read…
NG: And google it, it might be public domain at this point.
JM: There’s a YouTube version of it that's very nicely narrated. I found it but haven't watched it yet. I've been meaning to. I've read it a while back and want to re-experience it.
NG: Yeah, it's a great story. So, sort of the meta question that I ask in my class is, what do we do with these cycles of history? So in, in Nightfall the short story it seems like they’re inevitable and then in the Foundation trilogy, hey, we've got psychohistory that can help predict the future, and hey, we have the Foundation that can help limit the interregnum between decline and fall. And hey, as we're going to see, we've got some other things that may prevent future declines and falls, right? That comes up in the book called the second foundation and it involves the entity known as the Second Foundation.
But then by the time we get to the last question, Well, I'm not sure, I'll let your listeners find that for themselves. We're a ways off from that.
JM: I hope I have the endurance to make it through podcasting out seven novels, because there are two sequels and two prequels, which I hadn't read until the last summer and I was really blown away by them because they're different in that he wrote them 40 years later. He took a long break from science fiction and wrote mostly fiction nonfiction for most of the middle of his life, with a few exceptions but he got back to it eventually, and I'm so glad he did because, he realized, I think, that the story wasn't complete in terms of it was supposed to last a thousand years and it didn't go that long. And also that he wasn't entirely satisfied with how he'd wrapped it up, and that it didn't feel right to him.
He spent the last few novels really pondering how it should have wrapped up and I think it's a fascinating introspection that he takes us on in those last novels. If you read them, they're quite something. And after the sequels, you get the prequels and you get the backstory on Hari Seldon and the beginning of the story, which turns out there's a ton of material.
NG: Yeah, there is. But, but maybe some of my final thoughts as I'm privileged to be talking to you, but I don't want to overstay my welcome too much is just to say the special place that the original trilogy has for me personally, I take it for you personally, for the whole genre of science fiction.
So, I can share an anecdote, not from my students, but I've got a colleague who teaches English literature, and his particular research area. It's really interesting, is the effect or the influence of the decline and fall of the Roman empire on English literature. So there were many authors who took it, got the idea of decline and fall and worked it into their novels. And I can't name too many of them, but I can name two. One is Isaac Asimov. And one is J.R.R. Tolkien. There are others as well. Well, but they both have... those two have the decline and fall, Frank Herbert has it or other people have it, but as, as my colleague pointed out... So does Star Wars, right? The empire is falling and what's going to follow it.
JM: Yeah, yeah.
NG: Yeah, but there was one particular line that really fit, just clinched it for me in the prequel trilogy, in Revenge of the Sith. That moment when the Republic does fall in the Empire is announced in his book. Right. Shortly before Darth Vader manifests his suit, maybe you or your listeners know the moment I have in mind and Chancellor Palpatine is at the head of the Galactic Senate and he declares before everyone that the Republic will be reorganized as... do you remember what he says, Joel?
JM: I do not. I’ve watched it, but it’s been a while.
NG: As... the first galactic empire. And my colleagues said to me, why the heck would he say the first? Right, when Geroge Washington and so on became, I don't know when Thomas Jefferson wrote the declaration of independence, he didn't say, oh, I'm now signing the first declaration of independence. Right? I mean, when I don't know, the United States chose Washington, DC or struck the Washington monument and built it. They didn't say aha. Here's the first Washington monument. So why would he say the first galactic empire? And my colleagues' response is, because he'd read Asimov! Because everybody had in the back of their minds, if they're into science fiction and the idea of galactic empires, that of course there was a first and then there was going to be a second. So you have to say the first, because it just became part of the parlance of sci-fi.
JM: Right, and he was just such a powerful influence on…
NG: Such a powerful influence.
JM: Yeah. One thing I want to add before we go, this just occurred to me. You were talking about names and such in the book and… Cleon the First, the emperor, the last or the second to last emperor, I believe, that we know about – then there were some unnamed ones in the fall, but I read another book on psychohistory that was placed in the mid 19th century. And the idea -– it's by Michael Flynn and it's called In the Country of the Blind, but the premise is fascinating. It's basically Charles Babbage, came up with the design of the first computer,, early 19th century and never built it. But the premise of the book is he did build it or it was built and somebody got ahold of it. And basically they became psychohistorians and they became the driving forces behind the modern world. By knowing what was happening and guiding the evolution of things. And they have splinter groups that break off and they fight against each other and that's going on into the modern day.
So it was really interesting, but the point I was going to make about Cleon the First is the science of psychohistory was called Cleology from the Latin, which is the study of history.
NG: Right, because Cleo was the Greek muse of history, I think.
JM: Yeah, I believe you’re right. So I'm thinking Cleon was not entirely a coincidence.
NG: Oh goodness. There's so many names once you start thinking in the trilogy.
JM: I love his names.
NG: Yeah. Yeah. Well, that makes one of us. I think they're, I think they're kind of clunky, but here's why here's one I'll share because I listened to your podcasts...
JM: Maybe it’s because I have to be all those names!
NG: That's true., that's true. But, do you remember Joel you just mentioned it in, in your most recent episode, who was person who was the high priest of the church who was at the same time, the head of the…
JM: Publis Manlio?
NG: No, the generation before that.
JM: Oh, you mean Poly Verisof.
NG: Right. Do you know what Poly Verisof means?
JM: Uh... many truths?
NG: Many truths. That's what he was.
JM: I didn't really think about that.
NG: He spoke, we need the truth, right? Yeah.
JM: That's right. Yeah. I imagine that you could probably analyze a lot of his names and figure out what…
NG: Some of them, I haven't figured out. Some of them, I think he just made up.
JM: He seemed to like these two syllable first and last names. Hober Mallow, Salvor Hardin, Hari Seldon. Most of them are like that, but I don't know where he came up with them, but they worked for me. All right. Well, uh, anything else that we need to talk about or are we just gonna move on or I think maybe we should save some things for later after we finish another season of Seldon crisis. Maybe we can come back and talk again?
NG: I'd love to, as I said, in my initial email to you, which you kindly read aloud, I'm happy. I'm flattered to participate. There's nothing like the trilogy, but if a way to help you is to be quiet and never bother you again, Joel, that's okay, too. So I would love to come back. I'm at your discretion.
However you think I would be interesting for your listeners.
JM: Well, thank you very much for taking part in this and letting our listeners know about this amazing course you teach and your insights that I think are really powerful and really fascinating. So, thanks for being a part of this change of pace between seasons and before we get back to just me reading.
NG: My pleasure Joel, and thank you.
Well, I hope you all enjoyed that as much as I did! I’m very grateful and honored to have Nathaniel on the show and I hope I can have him back for similar appearances later on when he can more freely discuss some of the philosophical implications of the later volumes of this series.
Before wrapping up, I want to acknowledge a couple of podcasts that I have found hugely inspirational and would encourage my listeners to sample. First, as a big fan of ancient history, I’ve been entranced by some of the earliest stories humankind has produced. Some of the most epic story cycles came down to us from the works of the mysterious author or authors known as Homer, the Iliad and the Odyssey - the first of which tells the tale of the semi-mythical Trojan War some thousand or so years BCE. If you like stories like that, you’ll love Trojan War – the Podcast as well as the later Odyssey – the Podcast. Jeff Wright is an amazing storyteller and I modeled some of my approach to the re-telling of Foundation off of his wonderfully dramatic recreation of these ancient tales including a lot of the backstory with expert analysis. They’re both really fun shows and I encourage my listeners to dive in.
My favorite podcast, however, without a doubt is Literature and History, hosted by Doug Metzger. No one in podcasting works harder than Doug at putting together extremely polished productions covering the history of anglophone literature starting with the earliest tales of the ancient near east up through the works of classic Greece and Rome and including some twenty episodes on the most influential work ever produced, the Old and New Testaments of the Bible and many of the apocryphal works. Besides being a master storyteller and analyst, Doug is also an amazingly talented and creative musician. He composes and produces all of the background music for his show and includes a fun comedy song at the end of almost every episode. I was extremely fortunate to engage Doug’s awesome narrative talents with my very own first podcast, Planet and Sky, the deeper story.
Oh, did I forget to tell you about Planet and Sky? I guess I did. This was a podcast version of a rock opera I composed and performed in – a cosmic love story between a planet and its atmosphere told in a science fiction context. Yeah, it’s a little weird, but it came to me and I had to tell the story. The music is available online credited to the Max Wyvern Band, a group headed by my alter ego from my days playing bass in a band called Jupiter Sheep. I’ll add links in the show notes for this as well. The podcast is a deeper exploration of the story than the lyrics of the songs provide, and Doug graciously contributed his prodigious talents in editing and narrating my story.
Back to Foundation, and a couple of items directly related to Asimov. I want to mention a couple of great resources you’ll want to know about that might be helpful in understanding Asimov’s literary history and the future history timeline he created. A guy named Luigi Dimeglio has produced an amazing series of videos at his YouTube channel Foundation Era focused mostly on previewing the upcoming Apple TV+ series on Foundation. He does an amazing job of deconstructing the limited hints available in the official teaser trailer and a recent sizzle reel unveiled at Apple’s WWDC conference. A recent video, however, covers Asimov’s future timeline in detail, including books outside of the Foundation series, notably the Robots and Empire series that mostly coexist in the same universe as Foundation. I’ll link to this video in the show notes, but I encourage listeners to enjoy all of Luigi’s excellent videos.
Lastly, a listener named William Woolard emailed me recently and shared a very cool resource he’s put together; a google sheet listing every book Asimov wrote in chronological order to assist him with his very modest aspiration of reading every single thing the great master has written! This might be just a little too ambitious for most of us - it certainly is for me - but the doc is a great guide to what is available and a wonderful view into Asimov’s prodigious output. He’s given me permission to post it publicly, and I’ll share this link in the show notes as well. William also blew my mind recently by taking Mike Topping’s artwork and applying it in the video game Gran Turismo to show a car rolling around the globe emblazoned with gigantic Seldon Crisis logos. He surely knows how to tickle a podcasters heart! By the way - this also inspired me to order some Seldon Crisis stickers, so email me at email@example.com if you want one.
Hopefully I’ve given you all a few distractions to indulge in while I prepare the second season of Seldon Crisis for release in just a few weeks. When we return, we’ll be back to the standard format as we launch into the amazing Foundation and Empire, and meet another classic batch of Asimovian characters including Ducem Barr - the surviving son of Onum Barr described in his sad tale in The Merchant Princes, the heroic Foundation trader Lathan Devers, and the man who will pose the greatest existential threat to the growing Foundation yet in the Imperial General BelRiose. Be sure to subscribe wherever you get your podcasts to be sure to be informed when the next episode drops, and if you can, please review the show on Apple Podcasts to help spread the word. Until then, perhaps read a little Asimov!